| ||
Yesterday I went to a whistle workshop, so today I thought it was time to make a whistle out of a walnut shell.
On the inside there’s a piece cut from another walnut shell which directs air from the hole at the end up to the fipple.
It sounds like this:
walnutwhistle.mp3
Made from a turnip, held together with toothpicks. It sounds like this.
Sticking with the musical instrument theme: the teeniest little synthesizer. Video and sound here.
thing-a-day: matchbox synthesizer from ranjit on Vimeo.
Can I make another musical instrument every single day of the month? We’ll see if my head explodes first.
Today: An ocarina made from a coke can, straw, and poster gum. It sounds like this.
For today’s thing-a-day: a damp, rotten stick from the park; an old guitar string; a hand-wound electromagnetic pickup.
It sounds like this. (Sorry, I’ve only had a few minutes to start learning how to play it)
A whistle made from an eggshell, fimo clay, and a straw. It sounds like this.
With my egg and the earlier turnip whistle, I tried poking some holes in the body to make an ocarina, but I found that it just stops whistling unless I cover the holes. On the other hand, the soda can ocarina worked just fine, relatively speaking. Are there any ocarina experts out there who can shed some light on this?
I’m making a new musical instrument every day in February. On March 1st I think I’ll have to have either a concert or a bonfire. Follow my adventures at flickr or thing-a-day.com!
Some highlights so far: matchbox synthesizer, diet cocarina, rotten stick electric guitar. You can hear sound samples from all of them at their respective pages.
|
|
Made of discarded wood from a nearby street construction project. It sounds like this
I only had a few minutes to play today, and my first attempt at an instrument today broke, so here’s a teeny tiny little wooden whistle. It sounds like this.
I’m proud of myself for drilling a 1/8" hole in a 1/4" dowel without breaking it!
Kalimba with steel and bamboo tines in an old tea canister, with piezo microphone and 1/4″ output jack. It sounds like this (I did a bit of simple layering with a Loopstation.)
Inspired by the amazing kalimbas of RP Collier - listen to his music at soundclick and see the beautiful instruments on flickr.
It’s not very complicated, but it’s one of my favorite instruments-of-the-day so far! I found this piece of glass– I think it was a coffee table once– in the garbage. Suspended from jute and struck with a rubber mallet, it sounds like this. (Use headphones or good speakers if you can - the stereo effects are great.)
I think I should tie it to a frame in three directions so it doesn’t swing around so much.
Today’s instrument is a recurved brass horn with a plastic reed made from a drinking straw from these instructions. It looks so pretty, but it’s my solemn duty to inform you that it sounds like this.
I added a fingerboard to the rotten stick electric guitar for easier fingering– it’s still only long enough to play about 5 notes. And I made the worst bow ever from another rotten stick and some waxed string. Together, they sound like this.
Yesterday’s Thing was a breath controller- blow into it to control the volume of today’s Thing: the Fish Organ, so named because the box used to contain smoked fish. And it sounds a little something like this.
The keyboard is copper tape cut to shape. It’s tuned (approximately) to the twelve tone Just scale based on 2’s, 3’s, and 5’s. When the little red plug is plugged into the "No breath" jack, the thing plays at full volume without the breath controller.
I carved this bowl out of some waste wood I found on the street. When I roll walnuts around in it, it sounds like this.
But the real reason I carved it is to use for hammering sheet metal into gong or cymbal shapes. Unfortunately, I don’t seem to have any sheet metal.
Gambang kayu is a xylophone used in gamelan orchestras. This thing isn’t really that much like a gambang. It’s made from rotten sticks (my favorite ingredient!), string, and a bamboo windchime that was on sale at Rite-Aid for $3.49. It sounds like this.
The toehorn is made from a drinking straw double reed and a nerf missile launcher I found in the trash. It sounds pretty much like this.
(suggested use)
Hammered aluminum, old bbq fork with corks stuck on the tines to discourage autodisembowelment. If I’d known how much work it would be to hammer the thing and that it would turn out to sound like this, I wouldn’t have bothered!
I was inspired when I saw coconuts for 99c at the bodega, but when I got home it took me half an hour just to get all the delicious meat out of the nut.
I keep making instruments that are too long for my short arms to play comfortably. You’d think I would’ve learned from the rotten stick guitar.
The frets are bamboo skewers - I tuned them by ear so the tuning is kind of shaky. I might add more frets later. Note how the bamboo bridge rests on a point on the membrane (architectural vellum)- this helps to transfer the vibrations of the string. The pick is made of two layers of vellum glued together.
The coconut banjo sounds like this.
The scraper-shaker has a graduated series of notches, an aluminum sound cone, and, of course, a walnut shell full of steel washers. It sounds like this.
It’s kind of surprising how much the little sound cone amplifies the sound.
In my junkbox I found this vintage 1977 (or so) 76477 synthesizer chip- this model used to be used in arcade machines. It was gonna be another Matchbox Synth - you can see I have the case all prepped - but, whether because it’s old and broken, or because I wasn’t using it right, I couldn’t get any sounds out of it except for these.
Still, you may not have seen and heard the last of Syntho ‘77!
I thought I’d try changing the pitch of a guitar string by pulling it with a solenoid - thus “tension guitar.” I thought I’d be able to get multiple pitches by turning the puller on and off very quickly (PWM) but that didn’t work well, so I was stuck with just two pitches. That was boring, so I added a little finger that frets the string. With the combination of the two, it can play four pitches. Over and over and over, thanks to the automatic strummer. Like this. There’s also video of the various moving parts here.
thing a day 22: tension guitar from ranjit on Vimeo.
Details of the strummer, finger, and puller.
Continuing to explore the variable tension theme from yesterday: the rotten stick tension guitar uses a hand lever to stretch the string and thus set the pitch. I had that bit of coconut leftover from the banjo, so I used it as a sound radiator. The walnut on the other end is for comfort when you prop the guitar up against your belly (the recommended playing posture).
It sounds kind of like this.
Ever since I saw it in the instrument collection at the Metropolitan Museum of Art, I’ve been obsessed with the trumpet marine, a giant one-stringed instrument that’s supposed to sound like a trumpet. Besides its monstrous size, the most important characteristics of the trumpet marine are that it’s fingered at the harmonics and played with a bow (like Glendon’s harmonic violin) and that it has a buzzing bridge that gives it the brassy sound of a trumpet. The bridge has to be carefully balanced to get it to buzz, which is done by adjusting the tension on a string called the guidon that tugs the main string sideways. (You can see the guidon in the closeup shot.)
My instrument with no bow at all is a pretty poor imitation of a trumpet marine, but it does sound a bit salty. In the sound sample, you can hear as I fiddle with the guidon to get a buzz that I like. On the last four notes in the sample, I supressed the plucking sound in software to simulate what it might sound like when bowed. (And I cranked the reverb way up.) It does kind of sound like a trumpet!
What was I saying about making stringed instruments too big for myself? This one is over seven feet tall.
Bart Hopkin calls it a boo - a tongue drum made from a tube of bamboo or a box. It might not seem complicated compared to some of my earlier instruments, but for me, cutting and attaching these five pieces of wood was like brain surgery. Notice that no two sides are the same length, and the notches for the tongue are all slanted. Anyway, it goes a little bit like this.
Yes, it’s another rotten stick! But no walnuts this time. It’s a saxophone of sorts, using reeds made out of coke cans, subway passes, and whatever else I had lying around. Here’s what it sounds like with three different reeds.
Construction details: I cut the stick in half the long way and chiseled out a rectangular trench in one half. I clamped the two halves together while I made the mouthpiece (which is coated with lemon oil and olive oil to protect it from spit) and tested the first reed. Then I glued the halves together and drilled the finger holes, and made a bunch more reeds.
(mouthpiece)
(reeds)
Today my ebay order of mongolian horse hair arrived! So I made a fancy horsehair bow. It’s an awful bow, of course, and I have no idea how to use a bow anyway, but what the heck: here’s what it sounds like on the rotten stick tension guitar and the rotten stick electric guitar.
(I got to spend some time combing horse hair. Instrument making has more in common with My Little Pony than I knew!)
I found the box in the garbage while walking the dog yesterday and I knew I had to make a fiddle. It looks like it was a chunk cut out of a cheap veneer door or something. This was my most ambitious instrument-a-day, coming in at 6 hours.
The bridge is cut from poplar, the strings are nylon guitar strings, the bass bar and sound post are garbage wood, and the neck/fingerboard is, of course, a rotten stick. This fiddle actually leaves mildew on your left hand when you play it.
The bow I made yesterday literally disintegrated overnight - the screws unscrewed themselves and the hairs fell out! So I played the fiddle with a rosin-coated popsicle stick. Bear in mind that (1) this is a horrible, horrible fiddle and (2) i have no idea how to play a fiddle, before you listen to the sound sample.
Gonna have a party on Saturday March 1st to celebrate surviving the building of 29 instruments in 29 days! It’ll be 3-6pm (or so) in Long Island City, Queens, NYC - contact me for more info. There’ll be beer and snax and making noises. Bring your own noisemakers and/or ideas for noisemakers.
I’m going to continue with the instrument-building, making one every week forever. Or until I get tired of it. They’ll all be posted here.
It’s a dog. Eating from a metal bowl and then fighting with the blankets, he sounds like this.
If you’re in NYC and you’d like to meet this or other instruments-of-the-day, check this out.
I’m going to continue with the instrument building, one a week for as long as I can stand it. If you wanna keep up with the noise, bookmark or subscribe to my homepage. Thanks for putting up with the cacophony!
This Sunday 3/16, noon to 4:30pm, the Coney Island Museum celebrates automatic music - organ grinders, player pianos, and more - at the Band Organ Rally. I’m building a brand new automatic instrument for the event, and bringing some older ones too. Sneak previews below.
something new
something old
Thanks to everyone who came to the 29 Noisy Noises party on March 1 and helped me celebrate finishing 29 instruments in 29 days! Lots of great people came over and made a lot of great noise on the 29 instruments — you can hear some of it below.
Photo by Andrew Sempere - more party photos from Andrew - more from me
electric jam
“set up a groove”
Photo by Andrew Sempere
coconut & foot
your branca is leaking
konono no. 0
bang on a can
On July 30th I’ll be teaching a class at Etsy Labs in Brooklyn, making electric guitars out of junk. Check out the etsy class listing to register for the class, or look at this post on Make.
“The electric guitar is a sophisticated and highly evolved instrument. But you can make your own out of a few bucks worth of junk and parts. Learn to wind your own guitar pickups and build them into a simple one- or two-string junk guitar with a surprisingly nice sound. Depending on your ambition and experience, you can make your junk guitar as simple or as sophisticated as you want, but everybody is guaranteed to go home with at least a fun twangy noisemaker.”