There’s a nice review of the Fluxbox in the June issue of the Brooklyn Rail.
The FluxBox, which was on view at the Flux Factory in Queens from March 25 to April 29, triggered a greater feeling of suspense than your everyday automata. Not because it was a room-sized version of something that usually fits in your hand, but because the only visible part of the box from the entrance was the crank, and the crank was wired to a kosher pickle. more…
– Bethany Ryker
–The New Yorker, April 24, 2006
Listen to it on wnyc.org
Time Out New York has a nice preview of our fluxbox installation.
Music boxes are typically small, delicate items, but imagine creating one large enough to walk through. The Flux Factory, a Queens-based nonprofit exhibition space and artists collective/habitat, has done just that with its latest installation, FluxBox. Instead of a standard “tooth and comb” apparatus, however, seven acoustic sculptures produce the show’s simple 16-bar melody. more…
Read about the first Artbots exhibit and Sketching Device #1 in the New York Times!
Most entries fell into the category that Mr. Galanter called ”punk-rock robotics,” emphasizing cheap components and a playful do-it-yourself approach.
Ranjit Bhatnagar said he had torn apart his stereo speakers to build Sketching Device No. 1, which used patterns of vibration to move pens across a sheet of paper. David Webber’s AO2000, which visitors picked as their favorite, made chaotic music with a blender, an adding machine, two laptop computers, an old television and some coffee cans, among other things. Symet Studio, by Stefan Prosky, a family of simple solar-powered robots that left trails of dots as they hopped around, was voted best of show by the robot-builders.
