My toy dog always barks 26 times in a row. I asked composers to contribute microscores for piano, each 26 beats long, to be synchronized to the chihuahua’s voice. Fifteen composers wrote about sixty scores, which were performed by the mechanical dog at the Qubit Machine Music festival at the Clemente Soto Velez Cultural Center in New York in February 2014.
Composers: Ranjit Bhatnagar, Jason Charney, RP Collier, Langdon Crawford, Christi Denton, Rachael Forsyth, Ben Houge, Lem Jay Ignacio, Bryan Jacobs, James Joslin, Ari Lacenski, Tony Marasco, Kala Pierson, Erik Satie (adapted by Ranjit Bhatnagar), Isaac Schankler, and Schuyler Thum.
I stuck a clarinet-style reed mouthpiece onto a whistle (day 1). It’s possible to get both the whistle and reed to sound at the same time, resulting in … funny noises. Having the reed on there also seems to make it easier to play the whistle’s overtones, maybe by restricting airflow.